ES-ACAMB-54365 HS
5MP Full-Color Fixed-Lens Built in Mic Analog 4 in 1 Bullet Camera
- 5.0MP 1/3″ SC401AI Low illumination and high definition image CMOS sensor.
- Super Aperture and advanced sensor ensure excellent color imaging in ultra-low light.
- Blue light weighted radiance is Lower light pollution, less harm to human eyes.
- Built-in warm illuminator and the max. illumination distance is 30 mtr.
- Analog 4 in 1 (CVI/CVBS/AHD/TVI) Auto switchable.
- 25 fps@5MP 2560 (H) × 1944 (V) Resolution
- Image Features: Support 2D/3D NR, Digital Wide Dynamic Range (WDR) / Automatic Gain Control (AGC)
- Sound Management: 30 ft of audio pickup range with its built-in MIC and noise reduction algorithms.
- 12 Vdc Power Supply, easy for installation.
Product Discription
Analog Security Cameras, commonly referred to as Analog CCTV Cameras, are standard definition cameras that use the composite video baseband signal (CVBS) to transmit video over a coaxial wire. Analog wired security cameras have been the industry standard since the dawn of video surveillance products because they are easy to install, are very reliable, and you don’t have to worry about them being hacked since they are usually on a closed circuit system.
most of our analog CCTV cameras have the capability to be switched between 4 different signal modes, they are also commonly referred to as 4-in-1 security cameras. By using an On Screen Display menu the camera and one of our DVRs, the cameras can be set to the desired mode. Additionally, not only can these cameras be used as part of a security camera system along with a DVR recorder, they can also be used as standalone with a BNC monitor and video quad processor to watch video from the cameras without having worries of any hacking.
FULL COLOR
The full-colour camera uses full-colour night vision technology from an ultra-sensitive sensor, coupled with a large-aperture lens and warm light, to provide more information and clarity to the picture, enabling security cameras to have better detail and full-colour images,
Full-colour technology can display clear colourful image in the environment of ultra-low light. With this photosensitivity technology, the camera can capture more available light, and display more colourful image details. It’s aimed to catch colour in further, broader and finer dimensions in dark environment, to perform vivid and detailed video for all round protection
Camera with warm light: When the light adjustment reaches a certain value, the security camera will automatically turn on or off the fill light, so that the camera can capture full-colour images at night.
Digital Audio-over-Coax (DAC)
This technology is the first on the HD-over-Coax market to realize audio transmission over coaxial cable. Audio information can bring supplementary evidence for video surveillance. In order to provide users with a lossless and real-time auditory experience and a high-quality video & audio surveillance solution, HDCVI brings the advanced DAC (Digital Audio-over-Coax) technology to the HD-over-Coax industry.
DAC technology is able to transmit audio and video over the same coaxial cable, which greatly simplifies installations and saves labor and maintenance costs. The digital signal transmission technology converts analog audio signal collected from a sound pick-up or a built-mic into a digital audio signal with low level of noise and distortion. With the lossless and real-time digital audio signal transmission, DAC technology can better restore the audio of the monitored site with lower noise.
Automatic Gain Control (AGC)
Automatic Gain Control (AGC) increases the signal strength of security cameras when the light level is dim, and puts a cap on it when it is bright; this keeps the output signal consistent.
In low-light conditions, security cameras use Automatic Gain Control (AGC) to artificially improve their “dynamic range” and produce usable images. AGC is basically a from of amplification where the camera will automatically boost the image received so that objects can be seen more clearly. In normal light conditions the camera will display a normal picture. However, when the light quality drops below a certain level the camera will begin to boost the signal to compensate for the lack of light.
The advantage of this technique is that your camera will produce images in much lower light conditions than standard. The downside is that the amplification is not only on the usable data in the image but also the background noise. This means that the more you amplify, the more noise you will see and the poorer the image quality will be.
3D-DNR (Digital Noise Reduction)
3D-DNR stands for multidimensional digital noise reduction (DNR: Digital Noise Reduction) and was developed for shooting at night or in dimly lit places. 3D DNR is better at removing the grainy appearance that low-light video tends to take on and is far better for videos with lots of motion, as it the frame-on-frame method of comparison allows it to detect motion more accurately. As a result, it does not create motion blur in the images, and moving objects do not leave motion trails behind them
Wide Dynamic Range (WDR)
Wide dynamic range (WDR) technology balances the light on an image via image sensors (CCD & COMS) and digital signal processor (DSP). When part of an image is extremely dark but another part is so bright you can’t see any details, that’s dynamic range—the difference in lighting. Cameras with wide dynamic range (WDR) have special software that allows them to balance that lighting for one clear image. This makes them ideal for recording areas like store entrances where the contrast between the sunshine outside and the dim lighting inside can be extremely difficult to record.
Specification
All rights reserved. Design and specifications are subject to change without notice. Pictures in the document are for reference only, and the actual product shall prevail.